Where are the women on Wikipedia?

wikiI’m a little late on this, but according to a new study reported in The Wall Street Journal, only 13% of Wikipedia contributors are women. It is fascinating to watch another form of media – a very influential one, whether we like it or not – with its rate of women’s participation hovering between 13% and 17%. As we at The Op-Ed Project have observed, this range is where most forms of media are at:

15% of op-eds are written by women, 15% of radio and TV producers are women,  16% of guests on Sunday morning political talk shows are women and 17% of Congress is female.

What is it about this range? How do we get out of it? And how do we change the fact that The Wall Street Journal’s op-ed page is even less than 13%?

Ask a Mentor-Editor: Kate Heartfield

KHKate Heartfield is a weekly columnist and a blogger for The Ottawa Citizen, and has been a member of that paper’s editorial board since 2005. Her columns, especially those that focus on social justice and poverty, are highly regarded, and in 2007, Heartfield was awarded the RESULTS Canada Media Award. She is also one of The Op-Ed Project’s Mentor Editors, and volunteers her considerable expertise in helping our workshop attendees edit and pitch their columns to papers (and as if you needed more convincing, her sunglasses make it pretty clear that she’s downright cool).

We posed to Kate the same three core questions we’ve been posing to our Mentor Editors over the past few weeks, and her responses were insightful and, most importantly, practical.

Chloe Angyal: Why do you think there are so few women on the op-ed pages?

Kate Heartfield: The main problem is that not enough women are submitting. It might be that women’s participation in public discourse is still novel enough that women don’t have the intergenerational mentorship support and the sense of entitlement that men have, and perhaps are still coming to grips with the idea that they can be opinion-shapers. I don’t know the whole answer. I do know that once an op-ed writer of either gender submits a few interesting, timely, well-written and proof-read pieces, within the desired word count — that writer will go on the editor’s list of reliable writers and might start getting commissions. That’s especially true if said writer takes editing well and can work to a deadline.

CA: What can individual women do to change the situation?

KH: Write! Submit! Repeat! Rejection happens for all kinds of reasons, and often it just means the editor has no space left on the page that week. If you don’t succeed the first time, don’t give up. Try again a couple of weeks later with a new piece of writing. Don’t pester the editor about pieces that have already been rejected, though. It is fair to let an editor know that if you don’t hear back within a certain period — say, a week, but it depends on the time-sensitivity of the topic — you will submit it to another paper.

CA: What advice would you give to a young feminist hoping to break into public debate?

KH: Learn the craft of op-ed writing. Newspapers will only give you space if you earn it. That means familiarizing yourself with writing for a mass audience. It means learning to write clear sentences, and learning to self-edit. It means developing a clear thesis that has some connection to the news of the day. Mentor-editors are here to help with all that. There’s a small book called The Elements of Style by Strunk and White that’s indispensable for anyone wanting to write for newspapers.

So what are you waiting for, brilliant women of the world? Take Kate’s advice: pick up a pen and start writing to change the world. If you want to learn how to do that The Op-Ed Project way, sign up for one of our upcoming sessions. In the next few months alone, we’ll be in New York, Boston, San Francisco and Cleveland!

Ask a Mentor Editor: Michael Kimmel

michael-kimmelMichael Kimmel, one of the OEP’s newest Mentor Editors, is a Professor of Sociology at SUNY Stonybrook, and the author of more books than some people have read in their life. His most recent book, Guyland, is about masculinity in America – on which Kimmel is an expert -  and focuses specifically on young men between the ages of 15 and 25. Recently, Kimmel has begun writing columns for The Huffington Post.  Last week, he answered some of our burning questions about the op-ed gender gap:

Chloe: Why do you think there are fewer women on the op-ed pages than men?

Michael Kimmel: My answer’s going to sound sort of ironic. Feminist women are kind of in a contradictory position, because on the one hand, women assert that there’s no difference between women and men, that women can do anything men can do. Therefore, since women and men are so similar, why do you need to put women on the page? Editors can almost use equality feminism against women. We don’t have to hire a female surgeon to get a feminist perspective on surgery. So since women and men are so similar, we hire the best qualified. That’s what they would say. And the best qualified are the ones with the best history, so in this sense, seniority and tenure, all those sorts of things, which we know are gendered, come back to haunt women.

CA: Do you think there are really editors out there who would justify their 80-20 breakdown like that?

MK: No, that’s what I, as a sociologist, would say. What the editors would say is that they are definitely looking for the distinctive voices of women or minorities. And what my belief is that women and minorities are seen as niche groups. So you have one, and you check it off. It’s like The New York Times. They have Bob Herbert: Check. They have two women: Check. And then outside those niches they have economics, politics, global affairs, and those turn out to be – what a surprise! – white men.

So what happens is, women are a topic to be covered, so when you have one, you basically cover your base. And that’s how I do think they see it. Women are a niche market, a particular topic. And you can’t have a man cover that. So you get a woman, and if you’ve covered it demographically, and you’ve covered it substantively.

So the argument that I just made (and this is the sociologist speaking again) is a difference feminism argument. Yes, women have a different voice, women have different sensibilities, women have a different perspective, OK, so we’ll cover women. We’ll have our girl, she’ll cover girls, that’s solved. And in a funny way, difference feminism ends up segregating women into a kind of ghetto, which has been the argument against difference feminism all these years. But equality feminism also ends up hurting women because then you’re just looking at the blank, de-gendered resume, and you have one person who’s had all these great previous appointments and the other person who’s had less, and you say, “we’ll take the best.” And the one who looks like the best looks that way because of institutional discrimination, which gets buried in the credentialing, and you always end up with the white man. So whether you use a similarity or a difference model, either way, women lose.

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