The Inheritance of Voice

On occasion, we at The OpEd Project like to sprinkle our readers with some inspiration dust. And when this story billowed our way – we couldn’t resist! Our Social Media Junior Fellow, Claudia Garcia-Rojas, interviewed the 24 year-old Feministing Editor, Chloe Angyal. Chloe came through our core program in 2009 while still a student at Princeton, and published an op-ed in the Christian Science Monitor shortly after. She was The OpEd Project’s first intern, and now, three years later, she has joined our leadership team, as an OpEd Project mentor-editor, and one of the leaders of The OpEd Project’s year-long Public Voices fellowship at Texas Women’s University. The interview focused on her recent article, which she co-authored with her 98 year-old grandmother, Belle Littenberg:Why American women’s votes matter more than ever in this election.” Read below to hear what inspired this collaboration, and what moved them to talk about the urgent need for more women voters.

CGR: Chloe, you co-authored an article with your 98 year-old grandmother. What inspired the collaboration?

CA: Amazement at how much American history my grandmother has lived through. My grandmother was born in May of 1914 — a few months before the break of the first World War. She lived through the influenza epidemic after that, through the depression era, through World War two, the baby boom era, the civil rights movement, the women’s rights movement, the gay liberation movement. The number of protests the she has lived through is completely mind boggling.

ChloeAngyalBelleLittenberg

Chloe Angyal with her grandmother, Belle Littenberg.

When Belle was born, telephones were a new single luxury that were just taking root in the wealthiest of homes in America. The computer had not yet been invented. We actually revised edits of this piece by email. I emailed her my first draft and we talked over our cell phone to go over edits.

CGR: That’s amazing!

CA: I think about how few, especially young American women, tend to vote in presidential elections. We have gone from a place of women not having the right to vote to women taking that vote for granted. This is a turning point in American history. In women’s history. I think 2012 is a crucial moment with women’s rights are up for debate and up for a vote. It has never been more important to stand up.

The vote is not at stake. Suffrage is not at stake. But things like contraception and abortion that we have taken for granted, that we have the privilege of taking for granted thanks to the work of women of my mother’s generation, are now up for debate. It is important that we show up and that we are willing to defend those rights.

CGR: Would you say that the life your grandmother has led has had a prominent impact on your current political views?

CA: Yes. My grandmother, Belle, was a single mother who raised two incredible feminists. My mother went on to raise two more. Only one of us makes a living out of being a vocal feminist. That doesn’t mean that the others don’t feel strongly about these issues as well. I often talk about my grandmother when I am talking about using the ‘F’ word [feminism]. There are a lot of reasons why women don’t use it. The reason that I use that word is that it makes me feel connected to my personal history of my mother who is a second wave feminist, and to my grandmother. She got a college education when it was not the common for women to do that, and who worked to make sure that both her daughters could do that. She got her Masters degree when she was 60!

ChloeAngyalBelleLittenberg

“Why American Women’s Votes Matter More Than Ever In This Election” – a snapshot from Chloe Angyal’s and Belle Littenberg’s article published in The Guardian.

CGR: What kind of impact do you think you have had on your grandmother?

CA: I don’t think that Belle – a 98 year-old – would have had an opportunity to talk gender-politics with a young person – me – a 24 year-old.

CGR: This is a gem of an article. From my perspective, not only is this an article that you got to co-author with your grandmother, Belle, it is also a family treasure you get to archive and hold unto for those future feminists in your family. Tell me how you view this article?

CA: I am so proud to share a byline with Belle. I am so proud to have a grandmother who is incredibly patient, and incredibly kind. If you have the chance to live to the age of 98 and be filled with kindness and generosity, especially after having lived through so many hardships. It is difficult to get to the end of the century and still be kind, and generous, and patient. And willing to try a new thing at 98 is pretty amazing. Belle has never written an op-ed. She’s never been published in her life!

I am proud to be part of a three generation line of feminists who do feminism in their professional lives but also in their personal lives.

CGR: You are inheriting this legacy of a life from her, and and the same time, she is inheriting this inspiration to become a public thought-leader, to share her voice, from you.

CA: One of the great things about The OpEd Project is that it inspires you. It gets you to the point where you feel capable of [writing and becoming a public thought-leader] yourself, and sharing that knowledge with other people and bringing them along with you. At 24, I am proud that I can teach my grandmother something that she does not know because at 98 she pretty much knows everything.

OpEd Participant Mary Lou Carolan shares her thoughts on standing out!

OpEd NYCity

“Write to Change the World” participants in New York city.

I don’t know about you, but I talk back to the newspaper, the radio, and the television on a fairly regular basis. It’s one of the reasons my thirteen year old runs screaming from the room once I get started on a rant.  It’s also one of the reasons I love writing because I get things off my chest, express my opinions, and state my case for all the world, or mostly my journal,  to hear.  The problem is, the world is not hearing women’s voices as often as it should, and news stories are often so one sided I can barely make it through an entire editorial without audibly expressing my opinion.  Channeling this energy into a more effective and productive place is one of the reason’s I attended the Op Ed Project’s “Write to Change the World” workshop last Saturday.

How curious it was to be in the company of such incredibly intelligent and well-spoken women having the kind of dialogues I long to have – only to find myself dumbstruck early into the workshop.  When confronted with the fill in the blank statement:  I am an expert at________, because_________.  It was as if I had never done anything worth noting in my entire life. I’m 52 today!  So, why is it so difficult to claim that space?

Last night I was watching the TV show, “Broadway or Bust,” a chronicle of the lives of extremely talented young people vying for coveted parts in a Broadway show.  Each one so gifted in their own right that it seemed almost absurd to try and choose “the best.”  In fact, one of the judges noted that during the final selection, with only a handful of roles to fill, their decisions were not made solely on who is the most talented, they are all talented, but about who stood out, who truly understood their role and added their own spark to it.  In a sea of beautiful head shots on the decision board, it was the people who left an impression that were selected for the coveted roles.

So claiming our expertise and articulating it clearly and confidently is a critical reason why people are selected for jobs, speaking opportunities, op ed pieces, TV appearances or book deals – not just because we’re great at what we do, but because we stand out with the story we have to tell and how we tell it.  It made so much sense after having sat in the workshop last Saturday in a room full of incredibly talented women (and one incredibly talented man,) that it will be those of us who claim our voice, through a well-crafted and articulated story, that will truly stand out.  When you stand out, people listen, they want to know more.  As writers, dreamers, visionaries and thought leaders – isn’t that what we are striving for?

(For the record, my name is Mary Lou Carolan; I am an expert in community development and marketing for the past twenty-five years.  I have worked with organizations and small businesses to build vibrant, artistic, pedestrian-friendly downtown communities in cities around the country such as San Diego, San Antonio, Grand Rapids and in Ulster County, NY.  My programs include the  “Find Ike Scavenger Hunt” winner of the 2008 Children’ s Program of the Year award for uniting children’s activities with downtown revitalization efforts; and the 2011 award –nominee, “Books Alive,” now in its eighth year, uniting theatre arts and public libraries.  I am the recipient of the 2008 “Pride of Ulster County Award” for innovative community programs, and have  been published in the book “Marketing for Libraries” (2012), and “The Impatient Optimist,” the official blog of the Bill and Melinda Gates Foundation.)

“The Blessing of this Chaotic Life…”: An Interview with Chicago Alum Rana Kazkaz

 

 OpEd Chicago alum, Rana Kazkaz, is skilled in capturing distant worlds through a video camera lens– and has   a selection to the Tribeca Film Festival to prove it. But when she’s not behind the camera lens, seated in a director’s chair, or chasing her young kids, she writes. It’s her own story that compels her to write to change the world.

A Chicagoan at heart, Rana calls the World home. Hers is a blurred, bittersweet, bicultural identity, a unique and vulnerable position, but a position shared by many. We sat down with Rana last week and she told us a little bit about her fascinating journey.

OEP: Please tell readers and followers a little bit about yourself and the projects you’re working on.

RK: I’m a filmmaker and writer.  The last film we made, DEAF DAY, was shot in Damascus just days before the unrest started in Syria in March 2011.  It tells the story of a deaf boy whose mother is desperate to teach him how to live in a hearing world.  But in the end, it’s the boy who reminds his mother of the value of silence.  It will be screened at the Chicago International Children’s Film Festival in October.  Our next film HAM will be shot this winter in Chicago.  I also have three screenplays, feature narrative films that I wrote, which are all in various stages of development.  Two of them take place in Damascus.  The third one is a biopic based on the life of Kahlil Gibran, author of The Prophet.  Our films are international co-productions that we make with companies based in other countries, such as France and Australia.  The screenplays of all three films have been recognized by programs affiliated with the Sundance, Tribeca, Dubai, Thessaloniki, Melbourne and Abu Dhabi Film Festivals.

OEP: Why did you decide to attend The OpEd Project seminar this year?

RK: Similarly to the op-ed world, female directors get less than 10 percent of the directing jobs in Hollywood.  In order to address the disparity, the American Film Institute in LA launched a program nearly 30 years ago that selects eight women every year to go to film school for free and direct a film.  This was the beginning of my work as a director.  So when I learned that The OpEd Project was founded for similar reasons with similar goals, I naturally signed up for the seminar, hoping it might also launch my work as an op-ed writer.

OEP: Are there aspects of your identity or personal experience that compelled you to make change?

RK: When you have a name or a look that doesn’t fit in with your surroundings, such as I do, you often get asked, “Where are you from?”  It’s a simple enough question.  But when you come from a multi-religious-lingual-cultural-national home, like I do, the answer is complicated.  Having to explain or justify my existence to people definitely inspired my interest in change.  I’ve traveled a lot, but I’ve also lived in the US, Syria, France, Lebanon, Algeria and Russia.  The blessing of this chaotic life, as Gibran said, is that you learn to take the best from what each place has to offer and then share that knowledge with others in the hopes that everyone might be led to changes that promote a healthier way of living for all of us.

OEP: If you could write an op-ed tomorrow, what would it be about?

RK: We left Syria abruptly, believing we would soon return, so most of our things are still there… toys, books, pajamas, car… there’s still food in the refrigerator, we still pay the water bill.  Obviously, the current crisis is on my mind constantly as I also have family and dear friends who are still there.  I’m desperate to explain the complexity of the problem, to share the stories I hear and to discuss the future of Syria.  I’m writing a book of short stories, a sort of memoir, about the five years I spent living in Damascus.  I think pieces of this book would make for compelling op-eds.

The interview was conducted by Claudia Garcia-Rojas and Hira Khanum

The next Chicago seminar is October 13, register here

Join our upcoming Chicago seminars on October 13; Level I, “Write to Change the World” and Level II, “Generating Good Ideas.”

Los Angeles September 15th Training @ Ms. Magazine

This Saturday award-winning journalist Katherine Lanpher led a session of mothers, coaches, novelists, feminists, and one pretty cool roller derby chick! Katherine wasted no time inspiring participants to re-write the narrative of their own lives. She challenged us to establish credibility in order to achieve the greatest impact. Mentor-editor Tom Zoellner stopped by in the afternoon to give us his take on effective pitching strategies. Following the class, the participants headed over to Napa Valley Grille to meet former OpEd Project alums along with local mentor-editors to toast to the new class and recent successes!

ImageImage

Image

Image

Image

The OpEd Project Heads to Hotlanta for Our First Public Seminar in the South!

For the inaugural public seminar in Atlanta, GA this past Saturday — co-sponsored by the Center for Women and the Center for Ethics at Emory University — The OpEd Project sent the fabulous Zeba Khan to facilitate and 20 folks from around Atlanta and farther afield attended. Among the participants were professors, administrators and students from Emory University, Morehouse School of Medicine, Agnes Scott College, Georgia State University, and Clayton State University, as well as community representatives from the health department, the Southern Poverty Law Center, Emory Health Care, and the Carter Center. Other participants were innovative social change leaders including the founder of Soma Goods, which supports refugee women in creating home products, and the founder of the Change Rocks Foundation, which empowers vulnerable youth. One participant traveled all the way from the Virgin Islands.

The day-long seminar focused on building confidence in owning expertise and walked participants through the fundamental process for building an argument. This lesson was applicable to many forums, but especially pertinent to writing. Across the board, the participants were excited about the prospect of contributing their voices to larger conversations by way of op-ed writing as a tool for thought leadership.

–Rylee Sommers-Flanagan, Atlanta Regional Management Intern

Follow

Get every new post delivered to your Inbox.

Join 462 other followers